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| VIEW FROM MONTJUIC TOWARDS HARBOUR |
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| OLYMPIC STADIUM |
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| MUSEU NATIONAL D'ART DE CATALUNYA |
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| PARK GUELL |
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| MAGIC FOUNTAIN |
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| BASILICA DE LA SAGRADA FAMILIA |
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| INSIDE THE BASILICA |
On Friday, Chris and I initially walked through the beautiful Jardin de Mossen Costa i Llobera, filled with exotic cacti and tropical trees, on our way to the Castell de Montjuic. Monjuic is a low hill that overlooks Barcelona, and from the Castell's elevated position we obtained great views over the whole of the City. Looking towards the sea, the City's huge container port was hard at work. There were cargo ships being loaded and unloaded, with others waiting out in the bay. There were also various passenger vessels in the port including ferries and two huge cruise liners, one of which was Cunard's Queen Victoria.
We headed inland over Montjuic until we reached the Olympic Park. This was created for the 1992 Olympics and includes an impressive stadium, swimming pools and an indoor sporting arena. These are set in a huge complex with large paved and grassed areas, and waterfalls, all overlooked by a tall space-age structure, the Torre de Calatrava. I think that getting inside the stadium to look around was the highlight of Chris's day.
We continued onwards to the large and impressive Museu Nacional d'Art de Catalunya building, from where the views towards the Placa Espanya are stunning. As we walked towards the Placa, we passed fountains and ornamental waterfalls until we reached the most impressive fountain of all, the Font Magica (Magic Fountain) de Montjuic, designed by Carles Buigas and completed for the Great Universal Exhibition in 1929. Finally, as we passed the two Venitian Towers, we were in the Placa Espanya itself, a busy and noisy traffic hub which contrasted with the much quieter day we had enjoyed.
We ate pizza for supper at the top of Las Arenas on the north side of Placa Espanya which, before it was converted into a shopping, restaurant and entertainment centre in 1999, used to be a bullfighting ring called Arenas de Barcelona.
Saturday morning we took the Metro to Valcarra, then walked to see another of Gaudi's buildings, the Torre Bellesguard. From there we walked to Park Guell, commisioned by industrialist Eusebi Guell, designed by Antoni Gaudi and completed in 1914. On a hill to the east of the city, it was orginally intended to be a housing development, but in the end only 2 of the 60 houses intended were built, one of which was lived in by Gaudi. This house is now a museum, which we visited. The rest of the park clearly bears his mark and is a wonderful place to come and enjoy. We spent most of the day there and had a picnic looking out over the city. The Basilica de la Sagrada Familia, which we would be visiting in the morning, looked quite close.
We travelled back to the city centre in the late afternoon to see Barcelona's Cathedral, the Arc de Triomf and the Parc de Ciutadella, where we watched the ducks and the rowers on the lake.
Finally we headed back to the hostel for supper via Palau (Palace) Guell, another early Gaudi project for Eusebi Guell.
After it was dark we left the hostel to visit the Font Magica again, this time to see the water jets dancing to music as they were illuminated by continually changing coloured lights. The whole area in front of the Museu Nacional d'Art de Catalunya was crowded with people watching the free show.
Sunday was a special day because we had bought tickets two months in advance to see the Basilica de la Sagrada Familia (Sacred Family) which was the last of Gaudi's major works. Indeed, ground was broken in 1882, Gaudi died in 1926 and the Basilica is still not complete, that date presently expected to be 2026-28.
We have already seen the church from a distance, but close up its true magnitude becomes evident. Eight of the eventual eighteen spires have been completed and the highest, at 170m, will make the church the tallest in the world. However, it is the introduction of Gaudi's remarkable ideas, his design skills and his distinct decorative style which make this church unique.
Our tickets were for a self-guided tour, which meant that we could wander around the church and listen to the recorded commentary about it on headphones. There was so much detail that it was difficult to take it all in. We took the lift up to the towers on the, so called, Nativity facade, then used the spiral staircase to walk back down again. That meant that we could get a good view of how work is progressing on the roof. There is still much to do.
Gaudi left instructions about how the whole church should look, knowing full well that other architects and artists would have to carry on where he left off. Thus, many of the details are modern interpretations of what Gaudi had prescribed. In my view this has enriched the design rather than confused it, although Chris wasn't so sure.
After three and a half hours looking around the church and the associated museum, we were mentally exhausted. However, it would be good to come back when the church has been completed, the other ten towers are up and the cranes have gone.
We made our way back to the Gothic quarter of Barcelona and, after a picnic lunch, thought that we would visit the Picasso Museum, which is free after 3.00pm on the first Sunday of the month. Unfortuntely for us, hundreds of other people had the same idea. Just walking from the entrance to the end of the queue involved a good stroll. We decided to forego the pleasure and find a bar selling sangria instead.
We took another look at the Picasso queue at 6.10pm and it was still very long even though they stopped letting any more people in at 6.30pm and closed the museum at 7.00pm. A queue attendant confirmed that there was no chance of most of the people getting in, but if they wanted to keep waiting it was up to them! We made the best of our visit by occupying the associated book shop and looking at Picasso's pictures in print.
That evening we enjoyed an al-fresco pizza supper at a restaurant down the road. We would be making our way to the airport in the morning to come home.